Post of the Day (30/04/2014)

Firstly this morning I woke up early to use the c41 machine but it turned out it was still broken, on the other hand they gave me vouchers to develop my film at Advanced Photo in town so went there and got my film developed within an hour. I headed back to uni and went in the studio and did some lighting experiments with Gab Deacon, it was fun because I'm inexperienced in the studio so I want to learn as much as I can, I did some basic one and two flash set ups but I can understand why people get addicted to studio work because getting the lighting perfect is very addictive. By mid afternoon I went in the darkroom but only managed to print one photography but I was very pleased with the one photography I did print. I printed a photograph taken in the pillow fight in Trafalgar Square when I visited London during the Easter break. I had to dodge and burn the image and I've done dodging and burning before but this photograph needed more than I'd ever done before. I printed the photograph without dodging and burning then studied that to find out what I needed to do to make it right. I went down to the A4&More Store and brought a black piece of card to use then cut out a shape to dodge the woman's face. First I exposed the entire image for 12 seconds then masked off the woman's face and exposed the entire image for another 4 seconds then covered the woman's body and exposed the background for another 11 seconds. I enjoyed dodging and burning very much and was pleased with the final image, the woman's face could be a little lighter and the background a little lighter but I suppose everything you do could have been done better. 

Post of the Day (28/04/14)

Today was my first full day back after the Easter break, my aim for today was to hand in my keyword essay, process 2 rolls of film and print as many photos as I could and hire a medium format camera. I printed off my essay and handed that in however the c41 was broken so I couldn't process my film I also wasn't able to hire a medium format camera as you could only return equipment today. Anyway I went into town and brought some 35mm colour film as I want to do some colour double exposures. I was going to buy some 120 film however at Fred Aldours and Jessops you can only buy it in packs of 5 but I don't need that many and dont have the money so I'm just going to buy a roll off the internet then hire out a medium format camera when the film arrives. My plan for tomorrow is to process my 2 rolls of film if the c41 is working and print as many photos as I can before my lecture then go out in the afternoon and shoot some double exposures. 

Birmingham Shoot (24/04/14)

Yesterday I went to Birmingham to shoot some 35mm double exposures. The reason I wanted to shoot double exposures is that it will heighten everyday structures and by overlapping them and combining them I can create new shapes. I shot on 35mm film so I cant post the images until I've printed them (which will probably the next Tuesday). I found a great location near the library of Birmingham, it was an underground car parking structure/ back lot, it was a bit of a dump with a lot of bins and litter around but there were a lot of pipes and sharp corners that made for interesting subject matter when double exposed. I had to light meter the thing I was going to photograph then over expose it but I had to guess how much to over expose each photo so they could come out very good or under/over exposed. The location was more interesting than I could have expected and it was a bit of a dump however I don't feel it could pass as 'everyday'. When I walk along the streets I dont see this type of place 'everyday' but its subject matter was very simple, if anything it was the result of everyday behavior that you dont get to see. For example there was a 4 star hotel right next to this place that backed onto it and you could see all the bins and litter and filth behind this hotel that the people staying in it never get to see. I will speak to Alan and see if I can get away with this type of subject matter however if I cant I still want to peruse double exposures and present everyday things in a way that creates something new.   

Double Exposure Research (17/04/14)

Through shooting a few casual double exposures on my Nikon FE I've decided to study multiple exposures and apply this technique to my Unit X work. I thought about shooting architecture then rotating the frame and shooting another exposure on top of that to create a new geometric form out of an everyday objects or pieces of architecture in an attempt to create a new patterns. I decided to research photographers who use double exposures in their work and I can across the work of a Japanese photographer who goes by the name of 'Hodachrome'. He combines exposures, reverses film and cross processes film in an attempt to create new interesting compositions by layering exposures. I can across his work on 'Flickr', his work is much more complex than at first it appears. One technique he uses to combine exposures is to shoot on a roll of film and then he reverses the film and shoots on the other side of it so one side of the film if a regular colour exposure and the other side has orange cast to it. He also use a devise called a Splitzer which fits on your lens and allows you to mask areas of the frame and have more control when layering exposures. His work is interesting in the techniques he uses but he only really rotates compositions to mirror themselves whereas I want to combine different buildings to create new ones.  

So far I've just experimented with basic double exposures but for my new shoot I will experiment with photographing close up pieces of everyday architecture then rotating the camera and double exposing the frame with another piece of architecture in attempt to create new geometric structures. Obviously I still need to retain the everyday theme but I want to heighten it by creating new patterns through the double exposure technique. 

Wolverhampton Shoot (14/04/14)

Today I went up Wolverhampton to take photographs, I mostly wanted to focus on stairs as I want to see if they are interesting enough to photograph for my gallery pieces. I didn't find that many interesting stair sets, the main one I did find was outside the Wolves football ground, it was a sunny day which made for contrasting hard shadows which is the look I'm going for. The contrast between the yellow hand rails and dark shodows worked well, it was hard to find a successful composition was aligning all the rails was difficult was they would overlap or be on the edge of frame. I was trying to find interesting shapes and lines in between the rails and create lines heading in different directions. The other photograph contains a wall I found whilst walking around, I thought the sharp blade like edges of the bricks had an interesting geometric aesthetic. I cropped the composition into a square as it framed the step downs of the bricks, the contrast between the two tones of bricks and road surface creates an increased tonal range. The two photographs I got today are successful but still aren't quite what I'm looking for, I want to create photographs that are simple an quite minimalistic in their subject matter but have interesting lines and structure, I think I need to focus on more modern architecture like in the photographs I took in Birmingham last well. I do want the photographs in my gallery show to have all types of architecture but have a continuous thread that flow and connects the photographs. 

   

Birmingham Shoot (09/04/14)

Today I got the train to Birmingham as I wanted to go and take photographs in a large urban area and obviously I couldn't take photographs in Manchester so I went there. I was hoping to focus on step and stair sets as my main subject matter as that is the direction I want my work to go in. I found some interesting stairs but still photographed other geometric structures that I found interesting. I spent a couple of hours walking round and because it was sunny found that the steps that had shadows projected onto them made for interesting subject matter. I also wanted to focus in on geometric shapes within the steps and not just go for the wide shot, I found a small steel assembly that held the rail to the stairs that had an interesting shape, the contrasting grays of the steel looked very photogenic so I shot the piece straight on as it was a symmetrical shape. Another interesting thing I found was a repeating structure that was part of a water fountain, it was hard to frame as the structure isn't straight and snakes its way through the composition. The third photograph I made contained a pattern of different coloured bricks and a metal drain, the composition had interesting lies that crossed between each other like the pattern on Eddie Van Halens guitar. I waited for the sun to come out before taking the exposure as there was a tree that's branches go projected onto the composition so I just waited for a few minutes for the sun to come out. The last photograph of the day is a stair set I found, the rail of the stairs was projected by the sun and created a geometric silhouette on the steps that created a dark contrast, this is my favorite photograph of the day. When cropping the photograph I made sure that the corners of the steps were in contact with the top and bottom corners of the frame so the composition had no excess empty space. I think I will go back to Birmingham and explore the city more especially the areas containing more modern architecture as I didn't spend as much time there as I should have.

 I think I will stick to shooting digital for the rest of this project as I want to shoot colour and prefer shooting digital rather than 35mm when it comes to colour, if I do chose to shoot film I will probably use medium format so I can get more detailed photographs. I want the photographs to be detailed and sharp like the subject matter and heighten the everyday subject matter by presenting the photographs very well. 

   

Sol Lewitt Research

In looking for artists to study I found that sculpture was the way to go rather than 2D paintings as the subject matter I'm photographing is more three dimensional. I want to start taking photographs that are more minimal but still have interesting lines, I'm going to start focusing on photographing stairs as my main subject matter as they are an everyday structure and always contain different interpretations of the same fundamental shapes. I tried to find a contemporary artist that creates geometric work and I came across the work of Sol Lewitt. Many artists in the 1960's we using none traditional materials so create art and re invent art moving away from European tradition and making new 'American' art. Lewitt has influenced by the sequential photographs by Eadweard Muybridge presented in a grid formation. 

While researching Lewitt I came across his sculptures 'Incomplete Open Cubes'. Lewitt wanted to create something that initially looks chaotic however when you see the sculptures in different lines of sight they become orderly and you 'untangle the puzzle'. Individually the incomplete cubes are brilliant pieces of minimalist sculpture and although each sculpture is based on a cube they are all different. 122 individual cube variations make up the complete piece, individually the sculptures work well but they work better when placed in context with the other 121 as they create an overall idea. For my gallery piece I think I will present 8 or 10 photographs as a set because the photographs will work much better in narrative form along side other images than if they were presented individually, the photographs will all most likely contain steps but it is how different architectures have interpreted that shape that will come out in my photographs and how something as simple as a staircase that you see everyday can contain these beautiful shapes and lines. From Lewitt's work I have learned that you can present different versions of the same thing and make it interesting when presented as a narrative like the individual cube sculptures when presented as a set express a larger interesting idea.

 

Turner and the Sea Exhibition (06/04/14)

Turner and the Sea was an exhibition at the National Maritime Museum, this was an exhibition I really wanted to visit because his painting 'The Fighting Tameraire' was in the exhibition and this is a painting I really wanted to see. The painting was great to see in the flesh and being able to see the texture of the canvas was brilliant however I wasn't as amazed as I thought I would be, probably because I have seen the painting so many time on books and on the internet so when I got to see the painting in real life it didn't seem that new. On the other hand his painting 'The Battle of Trafalgar' was a truly amazing painting to see, when you see the painting in a book you just cant see all the small details in the painting. 'The Battle of Traffalgar' is the size of a wall so when you look at it you can make out every little detail of the painting such as the small ships in the background and the figures on the ships, you could stand and stare at the painting for ages. Another painting I was glad to see was his painting 'Fishermen at Sea' this was the first oil painting Turner ever exhibited, Turner was just 21 when he painted it but the painting has very ambitious lighting and detail. The work of Turner has been a key influence on my colour photography in terms of his late afternoon light, which is my favorite time to shoot and also his compositions and how he uses the whole canvas keeping your eye moving around the composition. He also uses the golden ratio of 1-1.618.  From the National Maritime Museum I had to make my way back to The British Museum (Bare in mind I'd only been using the tube for a day this was quite a challenge). I had to make 2 train changes and the central line was closed so I had to get off at Oxford Circus and walk 20 minutes to get there. I don't think I've ever walked as fast as I did to get there as I had to get there before it closed.    

J M W Turner 'The Fighting Tameraire'

J M W Turner 'The Battle of Trafalgar' 

J M W Turner 'Fishermen at Sea' 

The National Gallery Visit (05/04/14)

The main paintings I wanted to see in The National Gallery was the paintings by J M W Turner and Claude Lorrain the main painting being Turner's 'Dido Building Carthage'. It was amazing to study their paintings up close and actually see the texture of the canvas rather than just see them in a book. In 'Dido Building Carthage' Turner has been able to take Carthage during antiquity and put his own spin on the city and create a new landscape more complex than the original city. I have to say I was moved more by Turner's painting 'The Decline of the Carthaginian Empire' more than 'Dido Building Carthage' as it just seemed to have a more intense light however both paintings are incredible. One painting in the National Gallery that amazed me was Joseph Wright of Derby’s ‘An experiment on a Bird in the Air Pump’. The painting had an incredible sense of realism in terms of its detail and how realistic he painted the light and shadow and people’s faces. I hadn't seen the painting before but I like this style of lighting both in paintings and portrait photography, it is like the Caravaggio style of lighting a subject with hard light creating hard shadows that blend into darkness. This is my favorite style of portrait lighting. I also saw his painting ‘An Iron Forge’ in Tate Britain and that was equally impressive.

J M W Turner 'Dido Building Carthage'

Joseph Wright of Derby 'An Experiment on a Bird in the Air Pump' 

Joseph Wright of Derby 'An Iron Forge'

David Bailey Stardust Exhibition (05/04/14)

From Tate Britain I walked to The National Portrait Gallery to see the David Bailey Stardust Exhibition, Bailey is a portrait photographer I admire greatly (along with Avedon) and he has shot some of my favorite people such as Cartier-Bresson and Keith Richards. A highlight of the exhibition was the room of Rolling Stones photographs as they are one of my favorite bands and he took photographs of them when they were in their most creative period and the end of the 1960's and early 70's. For me the best photograph of the exhibition was a colour photograph he took in 1968 of The Rolling Stones in a field walking towards the viewpoint. They all look to stylish with their colourful clothing and look very natural as if they are just having a quiet walk and don't even know Bailey is there. The photograph gives the impression that that period was a very free time for fashion and the arts which it was. Another photograph that stood out for me was Bailey's photograph of Cartier Bresson, the photograph was printed very large and contained Bresson in black and white with his Leica. I think the reasons these photographs were highlights for me was the fact they were of people I admire so you have a personal connection to the photograph. The show was very inspiring and it was great to see his work up close, there were also various personal objects and contact sheets that were a great insight to his life and his work. 

The Rolling Stones (1968)

(Unable to find Cartier-Bresson portrait)